This is a digital photography project rooted in a slow and intuitive preparation process. The artist begins by walking—gathering natural fragments like bark, leaves, and pods that resonate through touch or presence. These are photographed in natural light, highlighting traces of weathering and erosion.
The printed images are cut and layered into physical collages that resemble masks. Some fragments then return to nature; others are stored carefully in boxes as open-ended forms. No digital compositing is used, fragmentation and transformation occur entirely by hand. The process allows erosion to shape both material and meaning, revealing form as something provisional, attentive, and quietly shifting.
